a mini power duel ensues....

on my hand the furutech reference III power cord, currently being cooked for the battle.

it is going to challenge my resident ps audio xstream statement sc for the all-important connection to my cd player.

ps audio xstream statement sc has proven to be a tough opponent to beat. it has plenty of heft in the bass and midrange, plus real quality highs proferred by the single-crystal.

it is going to be a friendly duel with no bloodshed expected.

watch out in the next few days.


once in a while, a concert performance comes along that completely blows your mind away. i couldn't get enough of tonight's concert at DFP (dewan filharmonik petronas).

anyone who was at DFP last night and tonight must have come out from the hall, like us, totally mesmerized over the superlative performance by korean jazz princess, nah youn sun. for the five of us, we went completely ga-ga. how could anyone who's into jazz music could possibly afford to miss such a stunning performance?

i went with winnie (of 2v1g) and her friends who are all in the music line and all of us had nothing but the highest praise for nah and her band. everyone of us thinks we had the best concert ever for the year. for me, it is one of the very best concerts in the last few years, a few notches above diana krall's concert last month.

nah has the silkiest of voice i have ever heard. it not so much of her tone but he extraordinary voice control. some singers can be soft and velvety; some can be power-packed and explosive but nah has everything. she could be tender and sweet one moment, the next moment she could be hitting the high notes and power-packing the song with so much energy. every singer (like my winnie girl) would be envious of the talents of nah. she has the most perfect of pitch; i couldn't find any faults in her singing eventho' it is a live performance. and her scatting, wow, is absolutely out of this world, i am telling you.

another thing worthy of mention is nah sang many original compositions, which normally would not elicit instant response from the crowd because they are not familiar with the tunes but nah's compositions are so good and packed a pop sensibility that even first-timers could appreciate it instantly.

nah sings a few songs in spanish, cuban and french and she even sang a convincing malay classic "jauh jauh" just to please the malaysian audience.

we met interglobal's boss, cheah mun kit there, who distributes nah cd in malaysia (see the cover above). ever the jovial guy, cheah introduced me to nah's producer, who is also called nah. i showed cheah two thumbs-up sign after the concert and cheah the joker jested "i finally met a singer who could sing as well as me!". cheah, you can't sing la!

concert like this enriches our musical life and leaves a permanent mark in our memory. i couldn't believe that i didn't invite all my friends to this memorable occasion. and audiophiles who are always talking about how good music and good singer should be - you really need to watch out for DFP's programme for future performances of nah youn sun. you can bet that i would return for her future performances.

another note. DFP's acoutics are as usual fantastic but i would prefer a bit more midrange thickness and density. i sat on the 6th row and i did feel that the mid-highs were a bit emphasized. but that's the neurotic audiophile in me talking la!

fabulous, superb, memorable, breathless, stunning, what a night!

p/s now go and get the album "memory lane" from interglobal!


thanks to the heads-up by ck, we discovered that many UK-made power cords which are attached with US-plug (export models, as demanded by some audiophiles in countries like malaysia) have negligently configured the pins in the UK fashion, meaning that the manufacturer didn't not reverse the Live and Neutral pins!

the problem is indeed a very serious one. audiophiles in malaysia use a mixture of UK and US plug and generally they are confused about the L and N pin configuration. even local electricians don't know the difference.

it also shows that british power cords manufacturer pay scant regard to US plug configuration, eventho' they export their power cords with US plug connected.

this results in wrong polarity, which causes poor imaging, focus, transparency and the overall tonality would suffer.

readers, please be careful the next time you buy a power cord. make sure you use the multimeter to check the polarity.

The Audiodharma Cable Cooker got to me last Friday.

The first thing I used them to cook were the 2 Shunyata Taipan Helix Alphas power cords on my Pass Labs monoblocks. These 2 power cords were quite new, with around 60-70 hours on them since their acquisition 1.5 months ago. Straight out of the box, their sound was quite congested, and the bass was especially bad - lumpy, bloated and woolly. Over time, the mid and high opened up relatively quickly and stabilized, but the bass region was still behaving as described, albeit with some improvement in snail pace. These bass traits were also similarly identified by a recent visitor to my place (hi, Henry!). I could not leave the amps on for long periods to burn-in the power cords as they were full class A - my electricity bill would go through the roof.


So these 2 powersnakes were the first ones to go onto the grill. Since this was my first trial, I was eager to hear the result. The snakes were cooked for 10 hours - that was no magic number, it was just the time it took me to get a good night sleep, wake up, have breakfast and laze around a bit (it was a Saturday morning anyway). Then the 2 Taipans were hooked back up to the monoblocks.

My impression was that this 'cooking's' effect was not unlike 'de-magnetizing' the system (as observed also by someone who commented on maggielurva's earlier post), but with much more pronounced and far ranging result. My own experience with de-magnetizing was that it affected the high frequency the most - if my system sounded like it had a bad hair day - frizzy, brittle, splashy - I knew it was time to give it a good spin of the de-magnetizing cd. The cooked powercords had similar effect but the effect extended further down into the mid and bass. The entire sound spectrum became more poised, more assured, I could listen at higher volume without ear-poking effect. Some grit, not just in the high but down to the mid, was diminished. The bass improved, the bloat and lumpiness were reduced quite a bit - just like what I heard over the course of running the Taipans in via normal use. Just that the current effect was, of course, accelerated. So it seems the cable cooker was really working as advertised.

The highs shelved down a little making the system sound a little dull, this may be a sign of overcooking for the highs, it largely recovered after a few hours' of system on.

I would describe the overall effect thus - you took the same road home everyday, you were used to the road's condition, you almost knew all the little bumps and potholes by heart, and suddenly one day our MBPJ, in its infinite wisdom, decided to clean up and resurface/re-tar the road, and your experience and comfort level were transformed.

Since the bass performance from the Taipans still had some way to go, I wanted to burn them in further on the cooker. But not before I turned my attention to 2 more others.


Another Taipan Helix Alpha came off my CD player and a Python Helix Alpha came off my pre-amp. This Taipan was in my system the longest so it has been fully broken-in. The Python was acquired at the same time as the other Taipans, but since the pre-amp was always on, it should have been burned-in more if not fully so. Since some readers here mentioned that the cooker would work on fully burned-in cables too, I wanted to give it a try.

Another 10 hours on the cooker. Now, what can I say, all the experience from the first round of cooking was repeated and the effect was cumulative. Furthermore, the image delineation and the system transparency improved too. Some recordings that I dismissed as bad previously turned out to be good enough because of the improved delineation. I could listen into the recordings and knew what was going on, instead of the previous congealed image which sounded like a mess.

Now, I wasn't just driving on an improved road, I have also upgraded to a 3 litre V6.

The first 2 Taipans went back on the cooker last night, I decided to give them a good 24 hours' grilling, minimum, just to be sure that they'd be cooked thoroughly. Honestly, having to wrestle with all these cables in my system's tight space is not really fun. If I have to do this periodically like de-magnetizing my system, I probably can accept this once a year. :-)

And then there are still the interconnects and speaker cables to try out.

I do not know what is conjured up in this little box that also emits a funny faint cyclical buzz in operation. However, the cable cooker just works great in accelerating the burn-in process. It worked on well-used cables too. I won't say that it can turn a sow's ear of a cable into a silk purse, but it would let your cables perform at their true capability at the least.

Signing off now, I have to go taste my grilled snakes.

i chanced upon this post on audio asylum (AA).

i have always wanted to go to AA (planar asylum) and educate all those maggie owners out there but i am too lazy to do so. i am glad there is still discerning audiophile like jallen.

i think jallen is one of the wisest maggie owners on earth. i salute him.



we are talking to mogwai!

if all goes well, mogwai will be performing in KL for the first time in january 2009!

keep your fingers crossed, guys!

we are looking for shunyata hydra 4 or 6 for our new studio in nzx commercial area, pj.

we are going to use stage 3 concepts cabling whenever we can. the (slight) leanness of stage 3 matches perfectly with the thickness of shunyata. we want to create an analogue sound and shunyata is the best PLC for this purpose.

keen sellers please contact me 012-2083790.

Telos Catalog

First off, a general impression,

The Telos products offer first rate build quality, irregardless of price. However, of more interest is the question,"How do they sound like?"

I'll cover the components in review step by step, i.e. by adding one component at a time in to the system. Lastly, summing up with the whole range working together in sync.



Telos RCA caps compared to the "cheapie"

The RCA/XLR Caps : These things worked surprisingly well. When inserted in to all the unused chassis mounted connectors on the pre amp, they inexplicably bring the back ground noise of the system down somewhat, based on my subjective hearing, compared to the el-cheapie black plastic caps that I used, which does nothing for the sound but do keep dust at bay.



Telos XLR caps

The Golden Reference Power Cord : This item feels very heavy gauge. When used to power my CD player, comparing to my resident Isotek powercord, the music seems more energetic, subjectively louder and more alive. Bass was also noticeably more thightly robust. However, it did not bring any harshness or edginess in to the system, and retained all it's other positive sonic traits.






Telos Golden Reference Power Cord

The Golden Reference XLR Interconnect : Substituting my Audioquest Columbia, sending signals from CD player to pre-amp, the Telos GR interconnect was a revelation. It had the transparency to reproduce musical details and nuances in spades, just very slightly short of Maggielurva's Stage III Magnus I was playing with sometime back. This level of reproduction is what I deem critical in reproducing the high end illusion. Also worth mentioning is the very even tonal balance, this is not a cable to be used as an "expensive tone control". The staging and imaging factor was very impressive too. It has the ability to cast a big, deep and holographic sound stage, exceeding physical wall to wall. All vocals and instruments had an convincing "air" around them and their own placement within the sound stage. Some other cables tend to spotlight the center stage, leaving the back end and extreme sides of the staging seemingly a little faded, but not the Telos GR interconnects. The back end and extreme sides of the staging all have their own spotlights, so to speak.

Telos Golden Reference XLR Interconnect


Using all at once : With all the Telos components in used, there was a fundamental change to my system's sonic presentation. It was as if I have upgraded to a bigger pair of speakers and opened up to a bigger room. Bass was tight, full and seemed to dive an octave deeper. Mids are very fluid and open. the highs are extended, delicate, even airy, but never sweetened. Music comes across as very lively and energetic. The Telos GR powercord, when used to power my CD player was noted to be subjectively louder than before, this effect was however, reduced once the Telos GR interconnects were used in tandem. One thing worth mentioning is when most drums are recorded as placed in the back end of the stage, the kick drums always seems a little lacking of energy, the Telos combo, I feel, rightfully restores that feeling of energy, however, it is not to construed as standing out on it's own. It's never distracting, just as in live concerts(remember those Hard Rock Cafe performances?).

Summing up : The Telos components justly retains all the system's strength, namely, warmth, harmonic richness and subtle delicacy. It improves upon in the areas of bass, transparency, tunefulness and most convincing staging and imaging. I had a wonderful time re-discovering some past favorites and new music while the Telos stuff are in my system. I am not sure what they'll do in other systems as they are pretty truthful to source, but they sure fit in to my system like hand in gloves!

contact:
john sin (mobile: 012-5269313)
c&o audiophile enterprise, ipoh

i blogged about abc records' HD- mastering two months ago.

finally, i got my hands on shirley's voice, a compilation of all previous shirley's releases using HD-mastering. i got down to do an A/B comparison and the results are startling....

story to come....


he is eloquent and charismatic; he is knowledgeable without being arrogant; he is extremely passionate and articulate; he is poetic in his hifi adjectives - he is a true
guru
.

i owned a LS3/5a in 1991. i was in singapore then. i bought this tiny speaker from atlas hifi for SGD800. it was an 11ohm version. i partnered it with various amps, including electrocompanient and aragon 4004 (memories, memories, for those who started their hifi in the 80s!) but not until i upgraded to ARC classic 30 + LS1 combo, i would never know what's the fuss about this bbc monitor. the partnership was a magical one. there's something hard to describe about the midrange of LS3/5a that had me hooked for hours. voices just seem right with this speaker. i had countless hours of good music and this chapter in my hif journey remains cherishable till today.

to write another paragraph describing the virtues of the famed bbc monitor would be superfluous in this column. if you don't know what's the fuss about, then google all you can and do your homework first. better still, listen to one.

in fact, if you know mr. k, the personality profiled here, he would probably tell you the same thing "do your homework first" albeit in a amiable manner that is reflective of what a true gentleman he is. it is not his style to be offensive to novice and the less experienced.

mr.k owns 26 pairs of LS3/5a, at the last count (i was told by a confidante of his) and yet he doesn't seem like stopping his investment anytime soon. weak in the presence of beauty, as the song goes. a male's passion in collection is never fully understood until you become a collector yourself.

in the early days before i got to know mr.k, i used to think that this man must be nutty and cultish to the extreme. but as the years went by, my impression of this man grew from neutral, to positive and now, extremely impressed.

admirers of mr. k (there are tons of them out there), who are enamoured by his system (which to me is a miniature gem in all sense of the word) may not appreciate the technicality of his doctrines and beliefs but as you venture deep into the hobby, you would then realize all that he advocates make sense. in my case, since i started producing music, i become fully aware of some of the things that mr.k has all along been advocating.

to me, what impressed me most is his indepth knowledge in music reproduction, sound engineering, room acoustics and music appreciation of the highest order. there are very very few audiophiles that i know whom i consider as possessing all these qualities at the same time; mr.k is a rarity.

mr.k has probably listened to more systems than i could ever dream of. he gets invitations all the tiimes because audiophiles want to know his opinion on their systems, which speaks volume of his credibility and reputation.

to me, mr. k is a hifi poet. you have to listen to his adjectives when he speaks. some examples here:

on the quality of high frequencies - "highs must extend to infinity and then just vaporize in the air ...".

on the organicity of music - "when the music ends, everything must subside, as in the thinning of air, bloom and finally comes a complete silence. only in a good system, you can hear all these remarkable qualities".

on the importance of homogeneous recording - "when you serve fast food, make sure all the food are homogeneous. if you suddenly add a salad, it will be at odds with the rest of the dishes. that's the problem with most recordings".

on audiophile's constant self-denial when facinig criticisms - "good sound is universal. you can't say just because you like it that way, it should sound that way and you don't care whether others like it or not. this is the major problem with audiophiles in malaysia".

there are many many more of such eloquent qoutes that had me clapping in delight. but one thing for sure, this man knows his stuff damn well. don't ever challenge him if you don't have your substance and facts ready.

as i gain a deeper understanding of my hifi and the making of audiophile recording, my admiration for mr.k grows exponentially. he is not your ordinary joe (pun intended). this man eats and breathes hifi; he makes hifi an art form; he is the best ambassaador of hifi if ever there's such an award in malaysia.

every audiophile guru has his detractors. mr.k, i am sure, does have his fair share of non-believers. but my message to these people is simply - unless you have the mettle, knowledge, substance, indepth experience, charisma and strength of character - you can't convince me that you are better than mr.k.


PLACE: Somewhere in Malaysia
TIME: Sometime in Oct O8

SECURE SMS 057/369-2A
CLASS LEVEL: ALPHA-SUPER
FOR KM'S EYES ONLY
BEGIN SECURE SMS:

Cables run-in and cooked.
Power OK.
Can come listen.
Sunday Nov 2, 12:00 hrs.
Come alone.

M

END SECURE SMS.


This would set the mood of this report.

When M summoned you, you have to respond without question if you want to Die Another Day.

Therefore, on the appointed day, I jumped into my T5 wagon (my Aston DBS was loaned to Ethan Hunt, you know, that other not so famous guy), did a fast Lewis Hamilton on the streets, and exactly at 12:00 hours, I was at M's residence, On Her Majesty's Secret Service.

"What would you like to listen?" M asked.

"Something pink. Shaken, not stirred." I replied.

"It's too early to drink!" M retorted.

"Oh, anything on your playlist then," I answered. Actually, I wanted to listen to Pink Martini but M didn't catch it.

I sat on M's designer chair and M proceeded to play some Chinese but mainly English numbers on his system.

"What do you think of the sound?" M asked.

"I would give it a D,D,D and an E," I answered.

Before you guys are shocked of The Living Daylights, thinking D,D,D and E are the colourful marks on your student report cards days....

No, they are not!

D, D, D and E stand for Detailed, Delicate, Dimensional and Emotional.

Detailed like you can hear more into the DNA of the music; like having a GoldenEye to look into the intricacies of a Pollock painting.

Delicate like you can feel the shimmer of the drummer's gentle brush strokes on the cymbals; like Octopussy in her silk lingerie on her soft skin For Your Eyes Only, sending shimmers and chills down your body.

Dimensional like you have fullness out of emptiness in the music images and space (hope not too zen to understand); like The World Is Not Enough in the soundstaging capabilities.

And, the best for last.

Emotional like the singers and musicians are expressively singing/playing out of the fullness of their hearts to you; like Tomorrow Never Dies to lift your spirits up if you are feeling down or sad.

Okay, I know you will think of this next in your train of thoughts.

Any areas to Goldfinger M's system?

Well, M is The Man With The Golden Gun, eer, Ear and since You Only Live Twice (and I don't mind dying once for the sake of music), here it goes.

The system sounded a bit like you are driving with the hand-brake slightly engaged - the music felt like running against the wind, the highs and lows not fully bloomed yet. M explained he has just changed his ELCB, fuse box and MCB only yesterday and they are running-in now.

Also, I would have preferred more power, attack and slam on the macro scale in the mid-bass and bass areas. But, then again, I was spoilt by the Thunderball (lots of thunder and cast iron balls) Wadia 581/Naim 500 & SL2 system I heard just 14 hours ago.

Since my last visit, M's system has leaped to a much high stage (pun intended) after he reloaded it with his top gun Stage cables and upgraded his A/C supply.

M's sound is a Quantum Of Solace for anyone who has ears for good sound and fine music.

His D, D, D and E have the Licence To Kill any system on the planet.

My congratulations to you, M.

maggielurva's reply:

km, have you considered writing a book or changing your career to a fiction writer? marvelous piece you have there!

luck is definitely not on your side as after you left, our LS3/5a guru came, and the sound suddenly took a turn for the better (guess the ELCB breaks-in quite fast) and he had an enjoyable 2.5 hours session. you know him, he wouldn't stay for a minute longer if he isn't enjoying himself. i will dedicate a post to mr. LS3/5a next.

note to readers:
this will be a last review on my system, lest people think that i am bragging or over-promoting my system.

wong tatt yew of audio note is the equivalent of harvey keital in pulp fiction




in pulp fiction - one of my all-time fave cult movies - vincent (john travolta) accidentally kills a black kid with his gun, in his car, and he needs to clean up his blood-stained car and disposing the corpse as quickly as possible. he finds harvey keitel, who plays winston wolfe, or better known as the wolf. the wolf is a cleaner about town. the wolf talks fast and thinks fast. his solutions are practical and somewhat obvious. unlike vincent (john travolta), you can argue with the wolf and not die in the process, but you can count on a nice verbal lashing. And there's no doubt that if the wolf really wanted to, he could probably make a quick phone call and have you killed. when vincent meets the wolf, with a face that's full of or worries and stress, the first thing that the wolf says to vincent is a cool "i solve problems".

every audiophile should have his problem-solvers like the wolf. in my case i have two. i don't even mind revealing who they are. in terms of solving ARC problems and general trouble-shooting, ah chee of audio art, ipoh, ranks top in malaysia. he also does a mean cable termination and soldering job, the best in the industry. the 2nd problem-solver i have is wong tatt yew, the boss of audio note malaysia. wong has a keen pair of ears and he is a problem-solver of the highest grade. he and his electrician are the subjects of this post.

the last time wong visited me was 3 years ago. it is not that he doesn't like to visit me, it is just that he hasn't got the time. with more than 20 years of hifi behind him, wong is the busiest and most business-savvy hifi dealer in town with non-stop phone calls all day long. because he is a good problem-solver, all his customers consults him all the times.

when wong listened to my system on thursday, he sat in my designer barcelona chair looking rather pensive. i knew something wasn't right. wong finally commented that the midrange is dirty and spiky, making it unbearable to listen long. he went on to inspect my system. first, i told him that my MK uk-made wall outlet has kind of loosen its grip due to my constant pulling in and out of the power cord connecting to shunyata PLC, to avoid lightning strike. so wong wanted me to replace it with his isoclean silver-plated duplex wall outlet. he also inspected my distribution board. to his horror, he found my ELCB and 3-phase fuse box totally unacceptable. they are malalysian made local brand. he wanted to replace it with HAGER, a german brand which he recommends to all his clients.

so he proceeded to replace my wall outlet to isoclean. the silver-plated isoclean wall outlet really looks classy at RM550 a pop. but not until i listened to the improvement, i wouldn't believe that RM550 can bring me this far. the sound immediately improved by 10-15%!

elated, i pressured wong to get his electrician to order the hager for my ELCB, fuse box and MCB (note: I am currently using ABL, also german made, for my MCB) . but knowing that local electrical shops don't carry ex-stock of these foreign audiophile-grade parts and that i have two major home visits on sunday, i wasn't confident that his electrician can deliver in such a short time. goh, wong's trusted electrician, promised me that he could come next day to look into my DB and make recommendations. but next day is already friday, i don't have the luxury of time!

on the same night, getting impatient, i called goh and offered to ferry him from his house to my house. audiophiles are crazy people, don't you know? we reached my house at 10:30pm. goh said if i wanted maximum performance, i really should consider hager for my ELCB, fuse box and MCB. but can we make it by sunday morning? goh promised to try his best to source it from every electrical shop in kl for the parts.

on friday, around 3pm, he sms-ed me with the text "got the parts, can i come now?". i was impressed. he is super efficient. he has to be, because he works with wong, one of the most effiicient dealer in malaysia. i was busy the whole day on friday so i asked him to come on saturday morning, which is today.

i must tell you this about goh. he is not only an audiophile-grade electrician, he is also a seasoned audiophile! he completed installing my ELCB, fuse box and MCB in less than two hours' time. time to listen. wow, another 5% improvement! the background is so much queiter now, the mids are much sweeter and the overall gain has gone down. (note: this is a good sign when your gain seems to go down but you still get the same details and dynamics as before. which goes to show the previous sound with higher gain contains a lot of noise)

so the hager MCB has replaced the ABL MCB. the hager is rated 4,500KVa but my existing ABL is rated 10,000kVA. i called ah chee to ask for his opinion. he thinks the ABL should be better than hager because of the higher kVa. so goh decided to A/B the two MCBs. the differences are day and night! the ABL has higher gain, much more noise, rougher mids. the hager has lesser gain but very controlled dynamics and sweeter mids. it was very apparent which is better. the hager, even with its 4,500kVA rating beats the ABL. both retail for only RM40 a pop. goh has ordered a hager 10,000KVa also to compare it with the 4,500Kva but it will be next week before the stock arrives.

by now, my system, after a total expenditure of only RM1,100, has improved close to 15-20%. can you not be impressed by this quantum of improvement when the total outlay is so little?

this experience humbles me again. wong is such a brillaint audiophile who always imparts critical knowledge to his customers and friends alike. if it is not because of him, my system would forever be compromised. this is the perfect example of inviting the right people to listen to your system. you have so much to gain. i actually jested with him in my sms - "bro, you are so good that as a term of our long-lasting and valuable friendship, you are obligated to pay me a visit every quarter to inspect my system".

i can't praise enough of goh, the audiophile grade electrician who could solve my problems in the shortest possible of time. yes, this is his number 012-2597329. you owe it to yourself to invite him to your house and check your DB and advise you on generally power supply issues. i have said enough of the importance of power supply to your hifi system in this blog. you must never take it for granted.

the sound is so brilliant now. and to think that the ELCB & MCB would further break-in in the next few days, i shudder in great anticipation.

every audiophile must have a winston wolfe for their hifi because simply, he solves problems ever so efficiently.


As I am about start doing equipment reviews, and to make them more meaningful to you, our dear readers, I've decide to elaborate on cablings used to power and carry signals from one equipment to another in the system's delivery chain.

You can disagree with me, but I feel that cables do exert their very own sonic virtues in the final presentation of the reproduced sound, more so in very transparent high end systems.

As the equipment on review is inserted in to the chain of existing equipments by either additional or replacement method, reported based on subjective user experience, therefore any cabling before or after the equipment under review would somewhat influence the final verdict.

It would also give you a better sense of understanding on the basis of subjective comparison between my own familiar equipment and the equipment on review.

Let's start with the source. I have 2 sources, the Marantz CD7 CD player and Rega P25 Turntable, mounted with Benz Micro Gold MC cartridge.


PS Audio Power Punch & Audioquest Colorado with 72V DBS battery pack

The Marantz is powered with an Isotek shielded power cord and using Audioquest Colorado interconnect to feed signal to the pre-amp, which is a Pass Labs X2.5, powered using PS Audio Plus power cord.
Isotek power cord
The Rega P25 came with non-detachable stock power cord and a VDH sourced tone arm cable, terminated with Neutrik Profi RCA plugs, sending signal to my DIYed Pass Ono clone phono stage, powered using PS Audio Power Punch power cord. An Audioquest Columbia interconnect sends the 60db amplified signals to the pre-amp.


From pre-amp, the interconnect used is a 3M long Cardas Golden Presence to send signals to the Pass Labs Aleph 0 power amps. Other than the turntable to phono stage all other signal connections are of the balance XLR kind.

Cardas Golden Presence

All power cords mentioned above get their supplies from an Isotek Sigmas power conditioner/filter. Sources like the CD player and turntable get their power from the choke isolated outlets, pre-amp and phono stage gets power from passive filtered outlets.



The power amps are powered using the big red JPS Inwall 10AWG power cords, terminated with MK Duraplus on wall receptacle side and Oyaide IEC socket on amp side. The power amps get their juice direct from wall.
JPS Inwall powercord c/w MK Duraplug

Straight Wire Maestro 2 speaker cables(2M length) are used between mono power amps and the Audio Physic Spark speakers.

Straight Wire Maestro II


As my equipment changes further in the future(something which I am trying very hard to resist, but maybe proven futile in the long run), they'll be updated in to the blog.

The Telos stuff are ready to be reviewed.

a certain company (obviously with good tastes) has decided to appoint 2v1g to endorse one of its product, which is targeted at discerning adults with refined tastes and who value lifestyle living.

the client chooses 2v1g because they think 2v1g's music is classy and appeals to both the chinese educated as well as the english educated crowd. they also think 2v1g's image is healthy and clean. more importantly, 2v1g is an all-malaysian product!

this is the first time that the client is associated with music in their marketing and branding.

when the time is right, we will reveal the client's name!

This is an introductory post for those whom are wondering, "who is this fella?"

My system was featured in the September 2008 home visit by hifikaki and maggielurva. That kinda give an idea about my system set up.

From a very young age, I was fascinated by sound, more so when good music of the day was played thru a superb sounding rack system of the time. We are talking about songs like Mickey, Staying Alive and Woman in Love. That gave away my penchant for 70's music.

Since then, like today's I-pod generation, I was inseparable from my Walkman. I was living in the UK during my teens and the hi-fi scene there was really hot. I ditched my Walkman as soon as I had enough moolah to hop on to the hi-fi bandwagon. I somehow think, perhaps, some of the I-pod users today will be tomorow's hi-fi customers, in one form or another.

During my youth, I was distracted by other curiosities that seem more appropriate then, namely that shiny fast wagon and the desire to find consensual mating partners. For a short span of time, I was even in to AV systems and hi-end computer speakers.

The shiny fast wagon was getting heavier and slower by the day, when I started loading it with pre amp, power amps, speakers and sub woofer boxes. I came full circle the day my wagon become my mobile music room.

In the last few years my hi-fi fever has taken a life of it's own. What started as a modest system consisting of Marantz CD63SE CD player, Denon PM680R integrated amp and a pair of B&W DM620 speakers in the room during year 2003, evolved in to what you see in the September home visit featured. And I thought I could be musically satisfied in year 2003!

In my free time, I also dabble in to the DIY areas of high end audio, only for the fun of learning from the building process.

I love all kinds of music, never language or genre driven. I guess you can call me the DBKL of music.

That's it, a short introduction for those who do not know what Willy or a.k.a. Panzer is about.



ipoh audiophiles rejoice!

c&o audiophile's arrival in ipoh definitely helps to add further excitement to the thriving audiophile community in ipoh....

c&o is also the national distributor of telos audio products from taiwan, a brand that has garned positive reviews all over the globe.

of interest here is their XLR/RCA caps, said to effectively curb RFI and EMI and protect your unused connectors from rust, corrosion and oxidation . the caps are made of pure copper but plated in platinum and they are too cheap to mention! they certainly look and feel better than the cardas and other brandless caps in the market. master ken is a true believer in these caps as he has tons of them in his ARC preamp.

john sin, the boss of c&o told me that telos audio sells the RCA/XLR caps by the truckloads. it is their best selling item no less.

audiophiles on the budget should give this affordable tweak a try!

panzer would be reviewing the XLR/RCA caps as well as the gold series power cord and the interconnect.

contact:
john sin (mobile: 012-5269313)
3, lebuh taman ipoh (behind pantai hospital)
taman ipoh selatan
31400 ipoh perak


due to some last minute changes, i didn't go to the ISSE 2008 (international sight and sound exhibition) in singapore.

from what i heard and read, it was a genuine disaster. even singaporeans didn't think highly of it.
they even say KLIAV (kl's hifi show) is much better.

it is easy to point fingers at the organizer (the editor of the local chinese hifi mag) but in actual fact, it is the exhibitors who screwed up (by not setting up their systems properly). SGD15 admission plus a free LPCD - no matter how crappy the music is - is not a lot by today's standard. i suppose what the organizer failed to do is to ensure that everyone treats the show seriously by devoting some time to setup and tune their systems but hey, that's daunting task when you need their business to make up the numbers!

it was the same complaint lashed out at the local KLIAV show a few years back when it became a "pasar malam" (night market) of sort where certain dealers threw their stocks at hugely discounted prices to attract the bargain hunters. many questioned the true meaning of hifi show. but do you know that those dealers (who threw prices) were the happiest of the lot, every year without fail? (one rumored to chalk up RM600K sales in just over 3 days!) so i tell you, there are always two sides of a coin.

so when the organizer finally created a "pasar malam" show to specifically meet the demands of those bargain hunters, it was a major flop because malaysia seriously don't need more than one hifi show.

so, where does that leave the organizer? well, his position is certainly unenviable.

instead of travellng to sg, i spent my weekend in ipoh. it was all gloomy at the hifi shops, with every dealer expressing extreme pessimism with the current economic situation and currency fluctuation.

it is the same here in kl. every dealer i visited has some sort of plan for the bad times ahead.

my advice is don't shut off your dealers completely. if you can't afford the big items, how about buying some accessories? they need your support in times like these.

p/s i have put all the local dealers' websites/blogs on the right panel. do visit them once in a while.

p/s this blog is best viewed using mozilla firefox. IE seems to have some problems all the times.


Remember the song from Sade of the same title?

That's exactly the kind musical tone, un-explained feelings of lushness that Maggielurva's system imparted when I heard it.

I think regular readers would be sufficiently familar with Maggie's system details by now, and new curiosisties can look at the older post to get an idea.

The sonic presentation of the system starts off pretty nicely with some girl & guitar music, which shows off the contrast in the dynamics shading of the vocals. The voices had strong density, some would call it body, and always sounded real, by the way, did I tell you about the formation of the mouth, lips teeth and all(only if it's in the recording)?

As the music progressed, I slowly found my self admiring the total cohesiveness of the whole sonic picture, i.e the staging & imaging! The soundstage, as wide as the lounge permits, was completely filled in 3D, layered, no holes, just audible air(if it can be heard!) between singer and instruments. A little note about Maggie's soundstage, despite not sitting at the throne(a.k.a. the sweet spot), I was at one point, sat facing direct to the left speaker and yet the soundstage never fell apart, as it naturally does with most other systems, It held on from the same view as if you'd be in a less than ideal off center seat in a concert, the stage perception only slightly skewed. As this is my first true Magnaplanar experience, perhaps it's an advantage of the planar speaker design? Still I was not prepared for what was about to happen within the next half an hour or so. You can say that I slowly warmed up to it.

Maggie's system has a way of slowly creeping up on you, working it's magic slowly but surely, before I knew it, I was admiring the naturally rich tonal colours presented when playing string instruments with a wooden body like the violin, cello, double bass and piano. Only truly high end systems can replay such acoustic instrument's timbre with startling beauty. The piano notes attack, sustain and decay was convincingly long, but never was a note elongated for the sake of it.

Then how can a visit to Maggie's system be complete without a dose of Teddy Robbins Goes To The Movies? The CD had a feeling of an intense jam session and the system just lets all the energy flow convincingly. The snare drums, located on the back of the stage in track1 Dim Je Ping Ping, had skin texture, attack and post attack air. However, if there was a shortfall in Maggie's system, it was revealed at track6 Sai Hei. This track is filled with raw angst. If you're familar with the cantonese dialect, you'd understand the anger, frustration and disappointment, if you had to tell someone off "Sai Hei lah lei!" At the high point of the long electric guitar solo rift, with drums, rythm guitar and gutsy bass guitar notes blaring in back ground, the system just wouldn't completely let loose and let it rip. But then again, it's just a personal interpretation of the song and how it should sound like I've heard on some other systems, for better or worse.

Did I not mention about tonal balance of the system, in a well sorted out system like this, all I can say is you'd take it for granted, other wise how on earth would it be reproducing the beautiful tonal colours of the acoustic instruments mentioned earlier? But the high's deserves a special mention here, pristine, extended, unvarnished as in never shiny/showy, understated perhaps even with a hint elegance. I could hear on high hats each hit by the drum stick, distinct and with varying degree of strength use by the drummer. It's one of best that I've heard at any given system price tag, it's almost as good as a system I referenced for a long, long time, costing several times more. Mids are open, no edginess at the higher mids to outline imaging, just natural. The bass of the system is adquate but had a nice bounce to it. The start/stop of a double bass note followed by the next is a good example, handled very well. I think many are of the opinion that planars don't do bass well, but in a well set up one like Maggielurva's, it's the quality, rather than the quantity bass that matters. Most of us are perhaps just so used to the dynamic cone type bass, slightly bloated by an reinforced ported box. And I shall make clear that during the audition session, we(me and Wong) was never left with the impression of lack of bass. If the Wilson speaker owner didn't complain about the bass, then it's good sign.

System transparency is first rate, when listening to 2V1G's master copy, I heard vocal emotions, micro guitar playing details on track4 Tempting Hearts, that I've never felt/ heard before. Maybe it's the master copy, may be it's the system. I also note a chameleon like effect on the system that trully indicates it's superiority in this respect, it has that ability to convey a subtle stage, studio or hall effect in a given recording and a diferent venue on each recording apparent. It's as good as they come! That is unless Maggielurva executes his next up grade plans off course!

From what I can see, other than 1 pc of Shun Mook and some sponge pads to isolate overlaping cables, Maggielurva doesn't do much tweaks. I find that tweaks are pretty much band aid at best. As you move up in high end hi-fi, getting your system sounding balanced, the less tweaks you probably need to make it all come together. I think that pretty much sums up Maggielurva's system at present.

early birds catch the worm. i have decided to entertain guests only in the daytime when the AC is more stable and reliable.

big-sized and big-smiling willy and his hifi buddy, wong, arrived at my house at 9:30am sharp today. they were the first two who get to listen to the broken-in stage III ASP gryphon.

since i am so used to review others' systems, it is willy's turn to review mine.

willy has the story...


could it be old age that makes me keeping forgetting my once formidable trouble-shooting skills?

i had a few house invitations lined up but unfortunately TNB acted up on me. for the past 3 days the AC supply was quite terrible. so when it was restored to normalcy yesterday, i still felt something amiss when i switched on my system... where's the headroom, drive and dynamism of my stage III ASP gryphon, the raison d' etre that i fell in love with it?

i tried listening to my system at different times of the day. even at 1am last night, the sound didn't sound convincing. not only the sound lacks the above-mentioned winning elements, the gain is also noticeably lower (at least 5db!). the laziness in me didn't bother to dig up my fully-documented tips on trouble-shooting (which i posted here 2 years ago entitled when things don't sound right, if you readers could remember). so i just thought the AC wasn't fully restored.

i postponed twice my appointment with a prominent audiophile, who is very keen to listen to the stage III. and i am close to postponing tomorrow's appointment with two audiophiles who are also very keen.

not until i call mr. audio research - mr. yoon tuck chee of audio art - for some sage advice. he just gave me some tips, which i knew all along but have completely forgotten: unplug the power cord from my LS26 preamp and let it rest for 10-20 minutes. as simple as that. the point is to completely discharge the preamp.

it turned out that all i need is that. so simple.

this anomaly has been in existence with all ARC preamps, even the LS25, Ref1 and now LS26 and Ref 3. once in a while, especialy when there is a AC surge or AC abnormalcy, one has to completely switch off and unplug the preamp and let is rest for 10-20 minutes.

should i whack i own backside for forgetting such a simple trick? i think i full deserve it!